Toronto has the only existing street railway/"light rail" gauge in Ontario.

Track gauge is a finer detail in the technology of rail-based transportation.  It is defined as the distance between the inside edges of the heads of the running rails.  It’s an important detail since this decides the distance between wheels on the trucks/bogies of rail cars, which can impact what systems on which said rail cars can and cannot run.

What makes this topic interesting in Toronto and the GTA is that the TTC has its own unique gauge: 1495mm.  This applies to both the streetcar and the subway networks of the TTC, but excludes the SRT (which is currently standard gauge. However, if the SRT is converted to LRT, as is widely expected, it would be changed to TTC gauge).  The TTC is expected to apply their unique gauge to Transit City as well, as it keeps the system flexible and has maintenance efficiencies.

Standard gauge, however, is 1435mm, and is used by the freight railways, which would include GO Transit’s rail fleet.  If one goes back in Toronto’s history, one will find two streetcar companies operating on Toronto’s streets, one at standard gauge and the other at the TTC’s, a result of meeting a legal requirement at the time.

There are now many communities in Ontario talking about LRT in their future networks.  These include not only Toronto, but also Hamilton, York Region, Region of Peel, Kitchener-Waterloo, Ottawa, and even London. (more…)

Blinkenlights Stereoscope (2008), City Hall, Toronto

Binary data is often represented by two states: on and off. The Blikenlights Strereoscope installation at City Hall this year during Nuit Blanche, made data very public.  If you attended, you may have noticed the installations’ connection to open, malleable and user-contributed data.  As stated on the project website, “Project Blinkenlights invites the public to be a part of the installation by opening up a variety of ways to interact with and provide content.”  In terms of a practical application of open data, the issue returned to city hall through the issue of open transit data, discussed at the Web 2.0 Summit on November 26, 2008.

Wikipedia defines that open data is “a philosophy and practice requiring that certain data are freely available to everyone, without restrictions from copyright, patents or other mechanisms of control.”  The challenge to open up the city’s transit data (i.e., schedules, routes and timetables) to be used in Google Transit was posed by Mark Surman of the Mozilla Foundation during his talk at the summit.  Mayor Miller stated in response to Surman that the process to get Toronto online with Google Transit is underway and we can hope to see results next year.  Surman summarizes this exchange via a blog entry accompanying an archive of his talk.

Many questions about opening up transit data are still outstanding in relation to the draft RTP or final RTP in relation to trip planning and fare cards:

Trip planning:

• If Toronto opens up data their data for Google Transit, will the other regions and transit agencies in the GTHA be encouraged to do the same? (Note: Hamilton’s HSR system is already online at Google Transit)
• Do Metrolinx’s plans for an integrated trip planner take into account Google Transit, mashups or citizen initiatives?
• What information is needed by citizen and community-based groups like myttc.ca to continue to innovate and build from the community level up?

Fare cards: intense data collection is also a real possibility with fare cards when they are implemented across our region.

• What data will be collected through fare cards?
• Where will this data be stored, who will access it and for what purposes?
• Will any of the aggregated data from fare cards be opened up?

During the Metronauts event in Toronto in April 2008, one of the ideas that caught my attention was the possibility that public transit vehicles and the public transit system more broadly can be considered as a potential space for cultural activities.

Shortly after Metronauts Toronto, I came across an example of public art on public buses which seems to bring to life this possibility. In Winnipeg in the spring of 2008, artist Cheyenne Henry launched Trans Regalia, which is described on the Arts Building Community website as “an act of Indigenous cultural and political reclamation.” The site describes that in this artistic intervention,

Artist Cheyenne Henry reclaims the public transit system in Winnipeg to launch education about urban Aboriginal issues into the public sphere. People dressed in traditional Aboriginal regalia step onto city buses and share personal stories of reclaiming their culture and identity in an urban context. The lines between participant and performer are blurred as both become viewer and viewed, sharing a common experience, a bus ride into Winnipeg’s core. This act of transit reclamation opens possibilities for dialogue and understanding in the inner city.

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